

Edited by Viola Levy - Yesterday at 6:53pm
Absolute's latest addition to its limited edition bottles will no doubt become a sought-after collector's piece. Following a long line of designers and artists to put their creative hand to the bottle, is Jamie Hewlett, whose London cityscapes are an ode to the fashion, art and culture scenes of the Big Smoke.
And if you haven't flicked through many or any of his famed Tank Girl magazines which I've spotted a few of recently as Paul Smith in Notting HIll, take a look - the guy responsible for the Gorillaz graphics is an incredible artist.


Edited by amahrose - 03 Feb 2012 at 2:42pm

Edited by MLVH - 02 Feb 2012 at 8:16am

Edited by MLVH - 01 Feb 2012 at 8:35pm
Edited by BosiBayer - 01 Feb 2012 at 11:45am

Edited by amahrose - 01 Feb 2012 at 12:19pm



Edited by amahrose - 30 Jan 2012 at 6:57pm

Artist: Momus
Title:
Circus Maximus
Year: 1986
Label: Ăl Records
Personnel: Nick Currie, Neil Martin (emulator 2), Jane Davies (vocals)
Tracklisting: Lucky like St. Sebastian, The lesson of Sodom (according to Lot), John the baptist Jones, King Solomonâs song and mine, Little lord obedience, The day the circus came to town, The rape of Lucretia, Paper wraps rock, Rules of the game of quoits
Glass sayâŠ
Once described by Mojo as âEnglandâs greatest living artistâ, Nick Currie prefers to describe himself as someone who churns out âscruffy electronic pop for shy Japanese girlsâ. An obscenely talented and consistently controversial Scot, Currieâs debut was, however, as far from electronic pop as Landsâ End is from John OâGroats.
Highly literary and beautifully melodic, âCircus Maximusâ is a breathtaking mixture of gentle acoustic guitar and varied keyboard embellishments of largely acoustic sounds, thanks to the use of the emulator sampler. Currieâs fragile, melancholic voice is the perfect vehicle to explore the gamut of tragic biblical and historical figures referenced here. Particular highlights include the haunting âSt. Sebastianâ and chanted chorus of âLittle Lord Obedienceâ, alongside much lighter moments such as the folky âQuoitsâ and âThe Day the Circus Came to Townâ, which introduces an ongoing interest in cabaret (and chanson) stylings.
Considering how timeless and homeless much of Currieâs work is, Momus may well indeed be SCOTLANDâs greatest living artist.
Edited by amahrose - 30 Jan 2012 at 12:02pm
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